“i wish…”

everybody wishes for something.  and as sondheim & lapine’s brilliant musical teaches us, “be careful what you wish for.  wishes come true.”

i have to confess, the first time i learned of this musical was a quip from the gilmore girls.  brad returns from a stint on broadway as jack and paris, of course, torments him with his solo from the play.  so i dashed to barnes & noble, bought the two-disc original broadway cast recording, and my dreams of seeing it were realized when disney produced its lavish film just last Christmas.

like most sondheim works, the characters sing over each other occasionally.  but it’s still a lovely sound.  and reading the original book that was published from the 1988 broadway script put all the characters into perspective.

have a look at the process for painting this piece, i’ll try to stop rambling, and then i’ll let you know all the icons i hid in the background to reflect the tale in this faerie tale feet piece entitled, “i wish…”  (both the first & last lines of this piece of musical theatre!)

into the woods 1
after i did all my research (reading the original script, watching the filmed original broadway production, watching the disney version over and over with commentary, etc.), i created by background pattern.
into the woods 2
once all the icons were decided upon and the giant’s boots were drawn, i traced them onto tracing paper- and taped it on top of my watercolour paper.
into the woods 3
using my handy magnifying lamp, i put transfer paper between my patterned tracing paper and my watercolour paper so i can retrace all the icons so i know where to paint.
into the woods 4
once my pattern drawing has been transferred to the watercolour paper, i start adding colour! my favourite part!! i paint around all the icons and used a bit of frisket mask liquid to paint in milky white (jack’s cow) to keep her nice & clean & the color of the paper below. (i think i need a new bottle of it, though. mine went on pretty chunky.)
into the woods 5
oh la la! first layer of colour is down! now we keep adding details and shading and adjusting washes and colours- and those boots have a ways to go before they’re done!
into the woods 6
every time i exercise in my local park, i feel like leslie knope would be proud of me. i would like to think i earned another pawnee goddess badge for using my local park trees for reference.
into the woods 7
painting landscapes aren’t my strongest suit. but i had to add some WOODS for a piece inspired by “into the WOODS.” so i did my best, painting trees on top of my finished background painting.
into the woods 8
here’s a better detail of the giant’s boots & pants. i’m quite pleased. and i know the giant’s wife didn’t step ON the baker’s wife, but i did put her scarf below his left foot. because: symbolism. drama.

 

okay.  details hidden in the background include:

the items needed to break the curse on the baker’s house (& family tree):

one:  the cow as white as milk

two:  the cape as red as blood

three:  the hair as yellow as corn

four:  the slipper as pure as gold

also included:

cabbage/rampion- there’s a long linguistic history, but “rapunzel,” the baker’s sister he didn’t know he had & his neighbor the witch’s captive/adopted daughter- “rapunzel” is a type of cabbage which is why one of the princes comments what a ridiculous name his brother’s beloved obsession has.

cinderella (the golden slipper) wishes to go to the king’s festival, so there’s a royal purple banner with the king’s crown atop it.

there’s red’s basket she carries to granny’s house.

there’s the wolf.

there’s the five magic beans the baker & his wife pay jack for his cow, milky white.

there’s jack’s milk pail.

there’s the baker’s loaf of bread.

there’s golden eggs from the hen and the golden harp that jack brought down from the giant’s house in the sky.

there’s a lantern for traveling through the woods at all hours.

the baker’s hat.

three babies (rapunzel’s twins, plus the baker’s son once the curse is lifted)

the black glasses (cinderella’s birds blind her two meanie stepsisters)

the silver goblet the witch drinks the potion out of to lift the curse/spell once all the items are fed to the cow.

cinderella’s birds (who also help her pick the lentils out of the ashes, even though her stepmother still won’t let her go to the festival)

two crowns (the princes)

vines around the giant’s boots (the beanstalk)

red’s knife (she gets pretty feisty after she gets eaten by the wolf & rescued)

the scissors the witch used to cut rapunzel’s hair to keep the prince from ever visiting again

campanula paunculus- rampion- a purple bellflower in the witch’s garden, another derivative for “rapunzel”when you go back to the latin.  and the wolf sings to red about missing all the flowers by staying on the path to grandmother’s house.  tempting.

i think that’s it… oh!  three moons over the woods because the baker & his wife only had three midnights to collect all the objects the witch required to break the spell– the curse on their family tree and the curse of old age & ugliness her mother placed on her for losing the magic beans that the baker’s father stole out of her garden.

it’s a magically inter-woven plot and musical.  i’m a sucker for a good fairy tale mash up.  and set to music?  all the better.  even if act II isn’t quite as happy as act I.  plot twist!

as cinderella’s mother/tree sings:

“are you certain what you wish

is what you want?

if you know what you want,

then make a wish.”

 

“i wish…”

original gouache painting on watercolour paper, 6×14″

from the faerie tale feet series by hallie m. bertling

inspired by stephen sondheim & james alpine’s “into the woods”

original framed painting available for $525.  message me.

limited edition signed and numbered archival prints available at halthegal.etsy.com:

http://etsy.me/2c9Fbxw

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faerie tale feet: the coloring book vol. i

this is gonna be good!

i’ve had requests.  i’ve seen the shelves.  i’ve seen the social media posts.  i understand the joy of coloring!

halthegal’s first faerie tale feet coloring book COULD be yours!  you have until black friday to help kickstart this project– i really can’t wait to share it with you!

pitch in if you can.  incentives include a first edition, or one of the original drawings used to create the book, or for the uber*generous, an original faerie tale feet painting, too!

please join the party here:

thanks for your support!

peace, love, & colour to you,

*halthegal.

“all the better, red.”

red one
lots of research into various versions of the tale– and then deciding on the most important shapes (icons) & facets to the tale.
red two
her boots are great. i bought a similar pair, but embellished with the added buckle straps and the knitted socks.
red three
once the shapes were decided on and the boots drawn, i re-traced all the shapes, filling in the solid background paper onto tracing paper.
IMG_0768
i then transferred the pattern onto illustration board, and started painting the background. first the shadow of the wolf, then the green background, being very careful not to colour inside the lines of all the icons.
IMG_0790
i painted in all the shapes on the green ground first, one colour at a time, then made shades to go inside the wolf shadow to match the ones on the outside.
IMG_0798
i always save the feet for last!
red five
paint paint paint… oh, the joy of details!
red final
and here’s the final “all the better, red.” image! 11×11″ gouache on illustration board

“all the better, red”

is my visual interpretation of the classic grimm tale.

the little red cap her grandmother made for her, the basket to take her gram cake & wine, the bluebells that led red deeper and deeper into the forest… she not only learned to listen to her mom to stay on the path, but defeated the wolf so that by the time the second one came calling, he was just a passing shadow. (did you know gram & red drowned the second wolf? it rarely makes it into the storybooks. silly editors. sure, the hunter cut them out of the belly of the first wolf famous for “all the better to eat you with,” but the girls won round 2 all on their own.)

take to the woods.
and be all the better for it.

icons include:
little red’s riding hood (or cap, as the grimms called it), grandma’s glasses worn by both her and the first world, the wolves paw prints, the basket, scissors (to make red’s cap, and to cut out red & granny from the wolf’s belly), needle & thread (again, to make red’s cap AND to sew rocks into the belly of wolf no.1), bluebells that led red off the path, & the butterflies she chased through the forest when she should have stuck to the path.
original painting has SOLD, but you can purchase the limited edition print here on my etsy shoppe:  http://etsy.me/1SRPyDp
the greeting card here:  http://etsy.me/1fTTWoK