your own personal fairy godmother

you’ll notice the fairy godmother isn’t colored yet.

that’s because as of right now, the ONLY way you can see her is in the golden wing luxe box- a surprise box filled with handmade and artsy treasures that you can get in time for Christmas right HERE on my etsy shoppe.

i’ll probably paint her next year, but as for now, here’s a bit about this exclusive coloring page…

fairy godmothers can be working for the heroines or their conniving adversaries.

they can be evil, or hold a grudge and take it out on the child.

“fairy godmothers” may be fairies- but they aren’t necessary alluded to as having wings- they can pretty much appear at will- or arrive via chariot (decked out with fiery dragons, or butterflies, depending on the occasion.)

madame d’aulnoy is perhaps the earliest user of fairy godmothers in fairy tales.  charles perrault famously used a fairy godmother as a replacement for the traditional cinderella tales where cinderella’s deceased mother is replaced by a gift-giving tree or a kind-spirited animal.

the thirteen (or 8 fates if you read perrault’s telling instead of the brothers grimm’s) wise women of the sleeping beauty can technically be classified as fairy godmothers because they give gifts.  beyond toys and treasures, they bestow gifts of charm and loveliness.

the moral of charles perrault’s cendrillon, or the little glass slipper, possibly the most familiar telling of the cinderella tales, ends with:

Charm is the true gift of the fairies;

Without it you’ve nothing; with it, all.

i’ve perhaps taken a bit of liberty with my fairy godmother piece, as there is no SET character of the fairy godmother throughout fairy tales, folktales, storybooks, or otherwise.

i’ve included background icons from these various fairy tales:

“The White Doe” told by Andrew Lang, via Madame D’Aulnoy (the dragons, for pulling chariots; a white dove; and a doe)

“La Sendraoeula,” an italian cinderella tale (the acorn, which cinderella taps with a wand and “a lovely dress like stars with golden shoes” appears)

“The Blue Bird,” by Madame D’Aulnoy (big flying frogs; the beautiful bird, actually the prince King Charming under enchantment from his beloved Florine’s rival and wicked stepsister Truitoone’s god-mother Soussio, the fairy)

“Finette Cendron,” by Madame D’Aulnoy (the golden key to open the fairy casket full of gifts which the more you took from it, the more there was in it; also starry diamond bursts, as her dress was “a gown of blue satin covered with stars of diamonds”)

Quite possibly the earliest cinderella telling, by greek historian strabo, from the first century b.c., in which the egyptian courtesan rhodopis is bathing in the nile and an eagle carries her shoe to memphis and drops it in the king’s lap, prompting him to search for the shoe’s owner and marry her. (the egyptian sandal)

“Cendrillon, or, The Little Glass Slipper,” by Charles Perrault, 1697 (the pumpkin for the carriage; the clock about to strike midnight)

i also added wings, because i would want some if i were a fairy godmother.

take a look at my process for creating this piece, and then enjoy a few quotes on fairies, fairy tales, and from fairy godmothers below…

fairy-godmother-halthegal-1
my stack of reference books, and a few great movies to inspire me while i sketch out ideas and shapes for this final piece.
fairy-godmother-halthegal-2
after i reduce down all of my ideas from reading all the fairy tales that included fairy godmothers, i decide on the shapes i want to use and i trace them to fill in the background pattern.
fairy-godmother-halthegal-3
using an 02 micron pen, the background starts to fill up!
fairy-godmother-halthegal-4
i just had to share this page, images i’d never seen before of the miraculous dress transformation animation by master animator marc davis. with special effects animation overlay on the right. just mind-blowing.
fairy-godmother-halthegal-5
i highly recommend this book which was released when disney put out their live action version of cinderella. of course the classic animated one is an all-time favorite movie, but this book had lots of great anecdotes on the making-of the animated one, the creation of the new movie directed by kenneth branagh, and lots of great background information on traditional cinderella tellings.
  • “a folktale is not just the spoken equivalent of a literary short story.  it has no set text, but is endlessly re-created in the telling.” ~neil philip, the cinderella story, the origins and variations of the story known as ‘cinderella’ 
  • “oh!  i’ve lost one of the shoes off my feet,” said trembling.                                            “don’t mind that; don’t be vexed,” said the henwife; “maybe it’s the best thing that ever happened to you.”~from “fair, brown, and trembling,” an irish cinderella tale, 1890.
  • “and it is not difficult to imagine how happy they were after having known so many hardships.” ~from madame d’aulnoy’s “the blue bird,” circa 1895.
  • “everything that a baby could possibly wear or play with was there, and, besides, they had other and more precious gifts to give her, which only children who have fairies for godmothers can ever hope to possess.” ~from andrew lang’s telling of “the white doe,” by madame d’Aulnoy, 1906.
  • “why i do what i do for a living is really because of those moments walt did for me as a kid in the audience.  what he did for audiences all over the world:  blending story and art and animation and music and color and everything together to craft these incredible emotions.  happiness and hope and joy; good over evil.”  ~john lasseter
  • “the glass slipper is where i got the idea i might not be the best fairy godmother.  if you think about it, it’s completely impractical, uncomfortable, and un-walkable-in.  but i’m good at shoes.  the shoes are the only thing that last beyond midnight.  everything else turns back.”  ~helena bonham carter, on playing the fairy godmother in kenneth branagh’s cinderella, 2015.
  • “there’s a lot of power in godmothering.  it’s like being a part of history.”  ~from terry pratchett’s witches abroad, 1991.
  • “will she live happily ever after?” he said.                                                                              NOT FOREVER.  BUT PERHAPS FOR LONG ENOUGH.                                                            and so stories end.”           ~from terry pratchett’s witches abroad, 1991.
  • “The Authors, are in Eternity.”  ~william blake, 1803.
  • “The story is, after all, what matters.”  ~p. l. travers, about the sleeping beauty, 1975.
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